Though Matt's straight from Canada, it sounds as if he should have been raised across the border in Detriot. He creates sinuous grooves based on acoustic guitar riffs or the kind of electric piano sounds that used to fill records in the 1970s, then sings over them in a tenor voice full of sand and butterscotch. York sounds like the sort of artist who developed his tastes listening to old records and never heard anything made after about 1975. Music fans who feel the same way, and who have spent decades wondering why nobody makes albums like that any more, will be happy to hear him.
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