Jhno started playing the piano at the tender age of four, and has since studied jazz, classical, electronic, and ethnic musical forms. In his spare time, Jhno has been developing algorithmic music and sound software, and in this endeavor has worked with Interval Research, Laurie Anderson, and Thomas Dolby. His ongoing obsession is the application of organic and generative computation techniques, such as cellular automata and genetic algorithms, in the creation and treatment of sound and music. Translation: Jhno is experimenting with computers and how they create and influence sound.
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